1974年访问美国期间，《我的美丽电影》在长岛的火岛海滩拍摄，唤起了一个遥远的时代，一个解放和阳光的时代。背景与他早期的一些画作非常相似——一个由坚固的立柱构成的风景中的人物清晰可见。一场舞蹈，几乎是一种仪式，在翻滚的大海中上演。它主要是用黑白两色拍摄的，在重新拍摄图像时使用了玻璃棱镜来增加色彩和失真。这部电影被贾曼指定为最终版本，以区别于稍早的同名电影，这里有一首由贾曼的长期合作者西蒙·费舍尔·特纳创作的新音乐曲目。
A two-part tape of a video performance done on January 22, 1974, at 112 Greene Street (as part of the Video Performance Exhibition), structured on a problem in game theory, a non-zero-sum game, in which both players can win or lose at the same time, one can win more than the other, and one can win at the others expense. Serra and Bell have used game theory as a way of dealing w...
“The title refers to Japanese landscape painting on rolls. Furthermore it indicates the film’s theme, the balance of colors (blurred tones of blue, green and grey) and the type of montage that gives priority to continuity of development rather than to disruption and contrast. This continuity is achieved by dissolvings and double exposures and by extremely long pans. The rhythm ...
《父親的西裝》介紹黃華麒自身經歷，如何成為創作獅子山下的靈感，講述年幼時家貧，因褲子破了而裝病逃學，結果老師家訪慰問深受感動，並以校服為題材寫成《父親的西裝》。
