《三江秋色》（1979，编导张庆鸿，摄影封永迎）展现了北大荒收获季节里的迷人景色，农林牧副渔各业的新面貌。但是，本片不同于一般的农村题材纪录片，没有像文革时期的同类纪录片那样去表现农民战天斗地的热烈场面，而是满怀激情地赞颂大自然给勤劳的农民带来的丰盛回报。同时，这部影片还充分挖掘宽银幕电影的表现特征，很好地展示了辽阔平原上的自然美景和丰收场面：无垠的天空中云飘鸟飞，无边的土地上硕果累累，茂密的森林里五彩缤纷，辽阔的江河内鱼游虾跳……编导和摄影捕捉到了许多有趣的场景，即便是有些常见的生活场景，由于拍摄角度、光线处理、色彩配置、运动摄影等手段的巧妙运用而增加了艺术魅力。在新时期以来的影片中，这部影片最早突破了农村片重在描写生产过程的老套路，超越了纯粹记录的束缚，产生了诗意昂然的效果。比起那些急功近利的宣传片，这部影片产生了潜移默化的艺术效果，观众在欣赏自...
《扬眉剑出鞘》（1979，编导雷震霖，摄影陈锦俶、冯伯九等），首先再现了1976年清明节前后人民群众来到天安门广场悼念周总理的情景，正是这场悼念活动引发了“四五”天安门事件。4月4日清明节这一天，来自北京和全国各地的二百多万群众，不约而同地聚集在人民英雄纪念碑周围，在共和国历史上罕见的“花山诗海”中慷慨陈词，本片的片名即来自当时在天安门广场广为传诵的一首诗：“欲悲闻鬼叫，我哭豺狼笑，洒泪祭雄杰，扬眉剑出鞘。”人们聚集这里，一方面是为了深切怀念周总理，另一方面是为了怒斥“四人帮”迫害周总理以及他们阴谋篡党夺权的罪行。当时甚至出现了一人振臂万人随的动人场面，但是在当晚召开的**中央政治局会议上，这场运动被定为“反革命事件”。4月5日，聚集在天安门广场的数万群众同一部分民兵、警察和部队战士发生了严重冲突。一场悼念周总理、反对“四人帮”的强大抗议运动就这样被...
Léon Masy sets off on board the boat that he built in his garage in Seraing to discover the activist's future. As he sails down the Meuse through today's landscape of old factories, he returns to the scene of a strike: that of 1960 when, for the last time, the lights of a rebellious region were reflected in the river's waters and when, also for the last time, he believed that h...
From December 1936 to February 1937 members of the United Auto Workers organized a sit-down strike inside the General Motors Fisher Body 1 and 2 plants in Flint, Michigan. They ultimately won recognition of their union and improved wages and conditions. "With Babies and Banners" tells the story of the Women's Emergency Brigade, composed of female GM workers and the wives of men...
This feature-length Oscar-nominated documentary chronicles the efforts of 8 athletes, both in their home countries before the August 1978 Commonwealth Games and during competition itself. The film was the official film of the 11th Commonwealth Games, held in Edmonton, Canada.
