「国盗り大名」として戦国の世に地位を築いた北條早雲（若き日の名は伊勢新九郎）の大望に満ちた半生を描く大型スタジオ時代劇。応仁の乱が長期戦になり出したころ、伊勢新九郎＝後の北條早雲（北大路欣也）は足利八代将軍義政の弟義視（仲谷昇）に仕え、都での戦いに加わっていた。しかし義視は兄との争いに敗れ、伊勢の豪族宇部兼友（川合伸旺）を頼って都落ちし新九郎もこれに従った。しかし新九郎は、義視と側近の手に負えぬ悪徳ぶりを目の当たりにし、浪人する決心をした。そんな新九郎の気骨に惚れた相模の乱破の長老風魔の弥造（中村翫右衛門）は、彼に軍資金を与え後押しした。提供：松下電器産業、マツダ、ニッカウヰスキー。
The film deals with an imigrant woman from southern Italy, who lives in Frankfurt in the 1970s. Unusual about this film is the way of the storytelling. The original plan was to make a documentary, but none of the female protagonists were willing to be seen in front of the camera. The fear to expose their own family was too big. The law of “omerta” exists in the diaspora as well...
Using film and television footage taken during the revolutionary movement of April 25, 1974 in Portugal, and mixing it with music and live interviews with common people, the director conveys a vivid account of the period in which a military coup evolved to a socialist revolution, then was tempered into a formal european style democracy.
Simon Wiesenthal introduces this feature-length documentary and quotes Adolf Eichmann on the killing of Jews: “One hundred dead are a catastrophe; a million dead are a statistic.” This film, made by camp survivor Dieter Hildebrandt, received an Oscar nomination in 1980. It traces the history of anti-Semitism in Germany, beginning with Hitler’s rise to power in 1933 and ending w...
A documentary on the Iranian revolution from the point of view of Lebanese filmmaker Jocelyne Saab with Rafic Boustani. Filmed in 1980 during the early stages of post-revolution transition also captured in Kianoush Ayari's Taze Nafas-ha, the film contains rare footage of many interesting and pertinent subjects: public rallies of the Mojahedin (before the organization was banned...
