Slaughterhouses with concrete blades on top, monumental cemetery gates in the plains: Architect Francisco Salamone (1897–1959) shaped the image of the Argentinean pampa around Buenos Aires. In part 34 of his “Photography and beyond” series, Heinz Emigholz once more probes architecture for biographical traces. Salamone, who immigrated from Sicily as a child, realised his ideas b...
A 16 mm silent film capturing the specific routines and daily practice of a ROTC cadet during the lockdowns and safety precautions of 2020. Flak-Kaserne Ludwigsburg was the USA Army base in Germany where Pleas Everson, the filmmaker's uncle, served in the 1960s.
Shadow and Act navigates through the remains of Chaya Jitrakorn, once a prominent photo studio constructed in 1940, Bangkok, and shuttered in 2012. The preferred studio of dictator Field Marshal Plaek Phibunsongkhram, a forceful nationalist and modernizer, Chaya Jitrakorn translates as "the shadow of the artist". Located in Bangkok's Chinatown, Chaya Jitrakorn was built like a ...
电影制片人肯·麦克马伦和艺术家斯图尔特·布里斯利在《存在与行动》一书中合作探索了行为艺术的起源，并将其与现代主义联系起来，而是与英格兰和欧洲的古老民间仪式联系起来。这些仪式提供了一个演员和观众之间的分工尚未制度化的戏剧。它们证明了强大的行为传统，这些传统在从农业社会向工业社会的转型中幸存下来。表演艺术源于这些传统，但有意识地利用艺术家在社会中的疏离感和孤立感。这部电影中的艺术家之所以被选中，是因为他们的作品挑战了那些规范社会制度的人。演出的录音被广泛地操纵：画面变慢，支离破碎：细节被隔离，以构建事件的电影记忆。
In 1927, filmmaker Oskar Fischinger traveled for three weeks along the side roads between Munich and Berlin, filming frame by frame the people he met along the way and the places he passed through. In 2020, the director did a remake of this film during a month-long walk between Paris and Brest.
Everything starts from simplicity, but it becomes complicated with the flow of time and space, so does a city. The film takes Custer's concept of "flowing space" as the starting point, and decomposes, combines and reorganizes cities, so as to discuss how the human social system relates and influences each other with the ecological system on which they depend, and the contradict...
Le portrait du théoricien du cinéma Serge Daney réalisé par Gérard Courant le 14 juillet 1979 à Paris (France) (silencieux).
Serge Daney's portrait by Gérard Courant (1979 - silent).
Tourist images from the 70s, passed through the analytical camera, reveal the embarassment of the residents face to face with a viewfinder that stalks them.
