Der Dokumentarfilm von Helke Sander behauptet: Man wird nicht als Mutter geboren, man wird es. Eine These, die mit Humor aufgestellt wird. Verschmitzt behauptet die Autorin als Lucy, unsere afrikanische Vorfahrin, dass die ersten Menschen Mütter waren. In der primitiven Horde war die Mutter mit Kind gehandikapt, wenn sie in die Bume stieg und Nahrung suchte. Deshalb baute sie ...
"Subjektitüde" is one of Sander's early short films shot in the mid-late 1960's. Her social-critic, feminist standpoint can already be seen here, and the film also holds up well today with its nihilistic, not-compromising, lyrical approach, reflecting the mentality of the youth of that era.
How can a woman love a man without denying herself Can two women love the same man without tearing each other apart Can a man love two women without lying What dilemmas will families and friends of the parties involved have to endure To this day these are recurring and often painfull questions.
Hannelore Mabry, ein portrt: Film clips of interviews, both old and new, of women's rights activist, sociologist, actress and critic of the church, Hannelore Mabry.
柏林国际电影节“论坛”单元由德国著名影评人同时也是柏林最著名、最传奇艺术电影院“兵工厂”的创始人乌利希·格雷戈尔开创，本片以详实的史料，第一手的访谈素材，回溯了格雷戈尔夫妇的传奇电影生涯，同时介绍了那些与他们关系颇为密切的电影界大人物：维姆·文德斯、吉姆·贾木许、尤塔·布吕克纳等等。
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.
The...
