使用将图像分解为数字基本粒子并随后重新排列的典型方法，电影制作人擦除并重建了法国西部Les Moutiers村的树木。原本郁郁葱葱的绿色和发光的黄色被转换并启动，直到观众不确定图像何时是真实的，何时是攻击数字印记的寄生虫。树冠被万里无云的天空照亮。树叶反射光线，但几秒钟后，图像冻结并溶解成一个色域网，暗示着初秋的落叶。
Liquid landscapes, each one absorbed into the next, transform the screen into a painter’s canvas. The digital decomposition of images in live interaction with Carlos Grtzer’s music draw attention to the permeability between traditional and abstract painting as well as to the harmony between the fine arts, film, and music. Shots evoking Monet’s Impression, Sunrise, or Renoir’s ...
A half-hour immersion under the trees, road after road, with a succession of landscapes from the Périgord Noir… “uaoen” is a dreamlike film that leads the spectator through a landscape in transformation: in turn, its image is transformed, tree by tree, pixel by pixel — the landscape looses it’s iconography and its depth all while moving towards a final rupture with perspective ...
Experiment in abstraction through the discovery of bodies and of the senses: six moments in a story of a meeting. The story of two (or three) bodies. Stigmas, decompression, red. Black. Several days. Several short stories. Green. Yellow. Abstract pornography. This movie is the first movie completely based on psychovisual compressions. The film is the story of the relationships ...
In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color.
"Making fi...
