Anthropology and filmmaking meet in one of the most representative examples of the observational cinema form. In Naim and Jabar, the everyday life lived by two teens from Afghanistan takes on deeply profound dimensions through its elemental simplicity. As the camera captures the articulation of time and place in their interaction, work in its most archetypal form and play steal...
Djalal has loved weapons since before he could walk. But success in the virtual world, where thousands of followers watch his videos, is not enough – so he heads to Afghanistan as a sniper. Unfortunately, actual war is a dull business that drags on endlessly. Will the young man, who is still searching for his place in the real world, realize that the game is over and that it’s ...
受共产主义总统纳吉布尔·阿赫与圣战组织和解的宏伟计划的启发，巴巴的故事涉及两个小村庄，因谋杀、报复阴谋和间谍的不光彩交易而陷入冲突。一位睿智的老人，巴巴，通过退休到一个山洞里，避开了所有把其他人分开的争吵，最终使村庄和好了。巴巴的性格是基于一个真正的隐士，巴巴·费罗兹，他住在戈达拉的一个洞穴里，被驯服的动物包围着，据说活了127岁。
Inspired by the Communist president Najibullāh's grand project to bring about reconciliation with the mujahidin, the story of Baba concerns two small villages drawn into conflict by a murder, a revenge plot, and ...
A group of Kuchi children are living in a minefield around Bagram airfield, Afghanistan. They dig out anti-personal mines in order to sell the explosives to child workers mining in a Lappis Lazulli mine. The trajectory of the blue precious stones goes towards Tajikistan and China, through an area controlled by child soldiers. When they are not waging their own mini-wars in the ...
There are seven stories of seven women. Though each has her own individual story, none had the chance of fnding love having lost control of their destiny through either forced marriage or rape.
Jawed Taiman takes a distinct look at Afghanistan and lets the Afghan people have their say. En route through the different provinces, through urban and rural regions, in discussion with intellectuals and simple folk, politicians and Taliban fighters a multifaceted picture emerges of a country that is often portrayed as incomprehensible.
Join the newsroom of Afghanistan’s largest newspaper as the Taliban took power. A highly dramatic day-by-day account of a group of courageous journalists’ struggle for democracy, freedom and life itself.
Etilaat Roz is the most widely read newspaper in the Afghan capital Kabul. But when Kabul falls to the Taliban in 2021, everything changes. The Taliban don’t like journalists, ...
由于美国计划于 2021 年 9 月从阿富汗撤军，加拿大籍阿富汗裔电影制片人兼记者布里什凯·艾哈迈德 (Blishkay Ahmed) 回到祖国进行拍摄。这部勇敢的纪录片聚焦首都喀布尔女性主导的新闻机构 Zan TV，揭示了女记者们承担的持续而巨大的风险。艾哈迈德本人是一名专业记者，她记录了在塔利班接管阿富汗之前的两年中，年轻女性记者的悲惨和鼓舞人心的工作。随着平行新闻故事的展开——两轮全国选举以及正在进行的美国与塔利班和平谈判——这部电影揭示了阿富汗女记者和媒体工作人员每天面临的障碍，强调了威胁 Zan TV 作为媒体渠道和女性生计的现状。它彰显了捍卫妇女权利和新闻自由的重要性。
Under the mentorship of controversial pop star Aryana Sayeed, two young singers vie to become the first-ever female winners of Afghan Star. As their dreams are within grasp, their lives are changed when the Taliban returns to power.
《把我的國家還回來》帶領觀眾回顧阿富汗過去幾十年的歷史，瞭解這個國家從黃金時代到戰爭地獄的歷程。為了講述這個故事，影片中加入前所未見的歷史影像檔案，並訪談來自不同年代和背景六位女主角的親身經歷，她們的命運也反映了許多阿富汗婦女的苦難和希望。
在阿富汗衝突和權力的嚴重扭曲之下，婦女往往首當其衝、受盡磨難。她們失去了家園和家人，被剝奪了最基本的權利，被迫在隔離和逃亡之間做出選擇。但是，她們所展現出的堅韌和勇氣，卻在在彰顯出阿富汗婦女絕不甘於被當作受害者。
聆聽影片中六位主角的故事：從首位婦女事務部長到最後一位共產黨總統的女兒、從1972年的阿富汗小姐到塔利班時期被逼著男扮女裝的生存。顯然，這些婦女毋寧更該被稱為阿富汗歷史的女英雄。她們可能也是國家未來的最佳資源，或可為阿富汗結束這個漫長的黑暗和暴力時代。
在阿富汗首都喀布尔的一个流浪者营地中，一名新婚男子为心爱的妻子高歌，仿佛世界只有他们。之后四年间，男子一心梦想成为部落首位阿富汗士兵，却同时要应付为家族开枝散叶的压力，在梦想和现实之间跌跌宕宕。尽管他对妻子相当爱惜，但他作出的决定，为两口子的生活带来重大的改变。营地无处不在的监视设施时刻监视着人民的生活，居民的活动遭到限制，却无力抵抗强权的压迫。导演们用最真挚的感情揭示了在动荡的时代中，当代阿富汗人如何在生活、爱情方面挣扎求存。
