一战前的十年，是现代艺术的传奇时代，野兽主义、立体主义、表现主义、未来主义和漩涡主义，都令人匪夷所思地获得了成功。战后，多数法国人认为“立体主义”这种疯狂的、全新的实验艺术，就是德国风格，是令人憎恶的。lei对于战争的恐惧，让民众和画家都迅速转向呼唤秩序。当时被批判为绝对的国际主义，是好斗的派别，崇尚革命、具有侵略性、蛊惑人心，是无**主义者，倾向于攻击甚至颠覆所有传统艺术。
对于战后在战争中迷茫、挣扎，寻求稳定生活的人，安稳的保证和大胆创新的现代艺术无关。
Re-enactment of World War 2 Battle of Arnhem. Later lavishly remade as A Bridge Too Far.
Storyline
In 1944, British General Montgomery and his command were way north of the Allied line, and the Germans were holding them in that swampy position. The plan, put into operation on Sunday, September 14, 1944, was to drop two American Airborne divisions and the British First Airborne ...
The film starts by a visit to bucolic Normandy before the events. This peaceful atmosphere is shattered by Operation Overlord, minutely described in the second part of the documentary. The landing on D-Day and the ensuing battles and bombings martyr the peaceful area giving the earth thousands of body instead of seeds. In the last part, the dreadful aftermath of the steel storm...
Like the art cinema of David Lynch or Luis Bunuel (not to mention Harrington's most immediate influence/mentor, the long-venerated celluloid poet Maya Deren, whose 1943 short Meshes of an Afternoon clearly turned the budding filmmaker Harrington on to the medium's wider-than-imagined possibilities), Harrington's films aren't abstract so much as they, very much like a dream (the...
