Young Burmese filmmaker, who goes by pseudonym ‘Vasili’, and wears a mask, for he must remain anonymous, documents daily life in Myanmar since the beginning of the military coup this past February. Under this brutal oppression, the filmmaker oscillates between a furious need for resistance and an overwhelming and paralysing fear: to protest or to hide—a repetition of the trauma...
为了控制第二波**疫情,缅甸最大城市仰光开始限制城区交通往来及市民出入。来自缅甸掸邦的拍摄者南梅·金森(Nang Mhwe Ngin Seng),将镜头对准了自己与朋友们(三个住在同一屋檐下的来自掸邦的女孩子)在仰光封锁期间的生活。她们的生活都多多少少受到这次疫情的影响,而拍摄者在这次对自我的影像剖析中重新审视了自己和母亲作为掸邦的两代女性所面临的人生困境,并最终从黑暗中寻得了微光。